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environments and each needed different approaches to render quickly and also look great. once looks were dialed in for each scene using otoy’s octane, aov’s were rendered and taken into adobe’s after effects for a final composite. cinema 4d | octane | turbulence fd | x-particles | after effects | photoshop | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585202722795-NFGTDGYKDR7HK6C1CPPY/XX_THEBAN_SH090_v014_BTY+%2800080%29.jpg WORK - animation & Final frame Rendering. using a render farm consisting of twelve in-house gpu’s frames took anywhere from 2-4 minutes at 4k after some deep optimization. most of my tasks were simulated using turbulence fd, x-particles or procedural methods inside of cinema 4d, while camera moves were kept simple but vastly different for each scene. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585608107847-D2UG8FA4L3PIVYOB4LBT/07_Return_Elixir_SH030_A_v06_Process.gif WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585636002403-60CEXWNQAFP9GQUKF7B8/XX_THEBAN_SH050_v010_Comp.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588112623032-D4WBBOS63PKB9RBZ1KF9/2020_04_24_23_25_25.gif WORK - layout & look development. custom textures and luminescence shaders were used to give the city life. using volumetrics helped add another layer of depth and ultimately set the moody tone we were looking for. multiple structures were modified from in-house modeling libraries, new features were added and others removed, while also adding futuristic elements on top of older looking structures for a more lived in city look. | cinema 4d | redshift | speed tree | after effects https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588112582595-CMR1DA7DAA2B9BPPVI9E/Lil+Nas+X+-+Panini+%28Official+Video%29_1080p+%2800161%29.jpg WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585703574979-FX8MZ17ZEUTGSBPI6I3C/ASICS_hope_assets_buidlings_collection_01_0000.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585711520915-JIMIN8RUSBSIOH5NL8DX/ASICS_SH_MASTER_project_04_sh020.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585708328226-HF4FWRTKERDILWQAHG9R/ASICS_SH_MASTER_project_02_camera_shot010_000-200F+%2800000%29.jpg WORK - layout & look development. once the buildings were finished, i was then able to scatter them across using various vertex maps and paths. this helped to layout our main street that the camera would later fly through. since we were telling the story of asics history, it was natural to design the city scape and horizon to resemble tiger onitsuka most famous shoe. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585703446228-9XYY9B5C6YG4STNBPPTH/ASICS_hope_streetbuild_WIP_01.gif WORK - camera & animation. animation was also something that was meant to feel very simple, almost relaxing in nature. a few key frames later we had our hero shot, shortly after filling in additional close-ups and beauty shots. the advantage of having a gpu farm in-house let me render out final frames quickly for review and eventually for delivery https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585709035592-C37PY1UJV21EJICFMSZ0/ASICS_SH_MASTER_project_04_sh010_camera_shot010+%2800000%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585709114300-GWAF1K0RWGF8OCTWU674/ASICS_SH_MASTER_project_04_sh010_camera_shot010+%2800072%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585709037892-Q51D5NNYQLH0DU37Y4BU/ASICS_SH_MASTER_project_04_sh010_camera_shot010+%2800092%29.jpg WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587095617909-69Y7QB6WVAHD8W2VQ8YX/ASICS_HOPE_052518_NO_LEGAL+%2800428%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585715457512-V1UARHXEX48ZKMY20VN8/ASICS_hope_assets_house01_v03+%2800000%29.jpg WORK - MODELING & world building. using cinema 4d to model each building using primitive cubes and simple extrudes was a breeze. once brubmy (dir.) was happy with the direction i was heading, he asked to expand on the design. in total i modeled roughly 22 individual buildings. all texturing and lighting was done in cinema 4d’s standard render engine with optimized toon shaders. cinema 4d | topowire | photoshop | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585705184123-PCDU1F6RB706ZI97J34Z/ASICS_hope_animatic_SH010_v01.gif WORK 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hero shot, shortly after filling in additional close-ups and beauty shots. the advantage of having a gpu farm in-house let me render out final frames quickly for review and eventually for delivery https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1584837241954-TB07S198AMMF1WLXK4OW/oculusQuestWithController_02-Website%2Bcopy.jpg WORK - environment & look development. with a simple three point lighting setup, a soft easy environment was achieved and a look quickly established in a short turn around as requested by client. using cinema 4d and octane render to produce the final frames, it made for a quick and simple delivery of various hd formats for social and print. cinema 4d | octane | substance suite | after effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1584833843036-12DYXBMLIYTLFE2N8RGG/facebook_oculus_marketingRelease_056-Graded.jpg WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592291632497-26MAF2ATKMOQBAI5GVUK/NASDAQ_COFFEE_30s_Agency_clip_coffee_realflow.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592295439206-416YR75A3VW1RAZM6NFJ/NASDAQ_Soccer_30_Agency+%2886816%29.jpg WORK - particle animations & simulations. all data simulations with done with x-particles and a few mograph effectors. in realflow i was able to stack multiple daemons in order to get the morphing effect on the coffee cup. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592295453165-1YOMHK3MF56NZV85BBTP/NASDAQ_Soccer_30_Agency+%2886858%29.jpg WORK - Look Development. with the data simulations cached, working on the look development was made simple using octane render. simple blackbody emissive materials were used to get the nice bright look on the data points and trails. | cinema 4d | octane | x-particles | nuke 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587083777595-UPDNITV2DR9B0Q2OX4NL/18_0118_FX_MiB_gamesgamesgames_v004_cam04.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587083785902-OF0HIPBZTBI9CIMXW0DR/18_0118_FX_MiB_girlsgirlsgirls_v001_cam01.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587083786151-6LRFYIDEISLXLLOHXYU2/18_0118_FX_MiB_gamesgamesgames_v008_cam08.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587083788427-NR8UYSKPI2UUAR907A9V/18_0118_FX_MiB_girlsgirlsgirls_v002_cam02_i1.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587083302255-H967CQ4N3KHC4ILVWLUD/18_0118_FX_MiB_fxlogo_v011.jpg WORK - look development. with a simple three point lighting setup, a soft easy environment was achieved and a look quickly established in a short turn around as requested by client. using cinema 4d and octane render to produce the final frames, it made for a quick and simple delivery of various hd formats for social and print. cinema 4d | octane | after effects | photoshop | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587078992636-7ZAGR4AURMC3W3SJGQHJ/FLY89_mobileHeroVertical_Output_v013+%2800730%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587079002116-7JUN94OJFLNNFS78DICY/FLY89_mobileHeroVertical_Output_v013+%2800697%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587079004244-UOQ7CNSKJL5WTE2CPX3V/FLY89_mobileHeroVertical_Output_v013+%2800666%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587079009421-GINUY20VLS9EEZRP3X0J/FLY89_mobileHeroVertical_Output_v013+%2800555%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587079010597-PQPI3DDM8OTS4RVY2NH3/FLY89_mobileHeroVertical_Output_v013+%2800380%29.jpg WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587078286509-668IDLKBREG8K77JZX6E/FLY89_mobileHeroHorizontal_Output_v013_1.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587079528252-1G0RRHZ0LSGB7PP7THXT/Screen%2BShot%2B2018-04-11%2Bat%2B1.30.17%2BPM.jpg WORK - look development & DESIGN. initial designs began clean and minimal. with a traditional three point lighting setup and a custom hdri, getting the right lighting became very simple and easily art direct-able. the modeling was handled by our friend jakob who can always deliver. i then took the final model and applied custom and procedural textures . once look dev was approved it was on to animation. after effects | octane render | cinema 4d | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587081288529-YDIBEG8PP4BHB4BMHBN9/FLY89_mobileHeroHorizontal_Output_v013_2.gif WORK - animation & Final frame Rendering. for animation, the main goal was to have an ethereal feel to the cameras, including all our throwback to the 90’s accessories. to achieve this multiple objects were either rigged using ffd’s or splines to control timing of the floating objects across each shot. when it came to final frame rendering our choice to render engine was octane render, mainly for its ease of use and expandability on a project with such a quick turnaround. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009193990-RTY44MFBQ9WZQBFHPYUL/JORDAN_FLY89_190104.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009194951-PG3QH49XCUZKBAJDUZQI/JORDAN_FLY89_190809.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009199697-Q4P5TTBMXGRUOHIUJVQN/JORDAN_FLY89_Shoe_Master04_2K_Still_01.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009200477-69QEA8B5U07DRW9U2245/JORDAN_FLY89_Shoe_Master04_2K_Still_02.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009195828-9ANUL536JFOOTTNAI6SI/JORDAN_FLY89_191753.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009199473-KLN1IMMBQQ3WIQV5G8WM/JORDAN_FLY89_SH170_02_StillRender.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009192571-VWUTAKO4E6XNJWBW7MQA/JORDAN_FLY89_85415.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009197533-CZ8X0KRDXVBK3RFMAREZ/JORDAN_FLY89_SH050_01_BLACK_ALLDAY.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587009198175-KVYG8RNKCKNZ6ZZGWB4H/JORDAN_FLY89_SH050_01_WHITE_ALLDAY.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585700780433-38SY52PGGYO4ZTA9ESOA/LEFTOVERS_S2_Screen_Comp_02-Site.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585700778607-WJ6DYZP161FBLTWUTP5D/LEFTOVERS_S2_Screen_Comp_03-Site.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585700784309-EUVYPFUCYEN3B6OZPC1H/LEFTOVERS_S2_Screen_Comp_04-Site.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585700606750-0XUJ53WLFDCH5FGZON18/LEFTOVERS_S2_Screen_Comp_01-Site.jpg WORK - animation & compositing. animation and comp was straight forward - by taking selected images and masking quick roto paths, we were able to remove people from intimate activities in order to replace them with something subtle, almost as if to give the viewer an uneasy feeling of loss, something that aligned perfectly with the show. photoshop | after effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585642322107-Z77V1GH15QRW7TRVEEF8/NERVE_TitleComp_03_Output_v02.gif WORK - design & look development. for a retro-future feel i start using a monochromatic style to further enhance with bright colors later on. once the initial designs were presented however, the black and white style was the favorite, which allowed me to move into the animation stage. after effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585642708409-4HJ9BBDBAHTQXUQ23KUL/NERVE_Title_Glitch_v01_MotionTests+%2800056%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585642706291-4NH44O41QUXZC1RD97W8/NERVE_Title_Glitch_v01_MotionTests+%2800292%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585643203322-AI8PXTZWG3GE8IAEOI3H/NERVE_Title_Glitch_v01_MotionTests+%2800362%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585643204561-QZXUZDUMWEIEM29Q16DC/NERVE_Title_Glitch_v01_MotionTests+%2800361%29.jpg WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585641354921-FI1IRR5XCBUL7CLQV8IW/NERVE_anim_boards_017.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585641362612-AM7VBFB1E5X36U279S91/NERVE_anim_boards_011.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588121644561-CJIOEOWF88OM7Y42BHFG/CASIO_GSHOCK_Hero_v005-WatchOnly-LookDev.png WORK - look development & design. after updating and optimizing the cad model, i move onto setting up my lighting sources inside of cinema 4d and hdri studio. from there i shift gears and begin building custom procedural materials and shaders to re-create the physical properties of the watch. with the look approved, I can then move onto blocking out cameras for animation. hdri studio | redshift | cinema 4d| https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588118889518-KB36LDD6ASDJBZU7XL2J/1.png WORK 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animated collision body movement. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269867333-35AQIVGNAKXRL3DT1XYM/Body_Smoke_Vitruvian_v002_animFull.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269858743-LMMJ55DNQLDP84ZBVRI6/Body_Smoke_Vitruvian_v001_anim.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269579931-NKVRJDEHBDDPGR1H1S89/BodySmoke_Female_Vitruvian_v002_HD_i1.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269580252-0BYIYFRDWW5W2AIZABTK/BodySmoke_Female_Runner_v002_HD.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269590940-0KJIEDUL69JYH11BLCIE/BodySmoke_Female_Kicker_v002_HD.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269259929-BJ0DGFHNDX9MJV0IY0RH/preview.gif WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269453617-581GIU4QWJRM09KA92CJ/BodySmoke_Male_Vitruvian_v003B.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269509721-8WRIM0K2W4BP0LZNS66S/BodySmoke_Male_Jumper_v001.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592270360648-RZEJ0O8YMCKJ4Z9AWQKD/male_breath_national_00_sc02.gif WORK - tracking & simulations using pf track i was able to take a generic face mesh of both female and male bone structure that i was then able to match once all tracks were finished. with all motion tracks done i moved into cinema 4d and used turbulence fd to simulate the inhale and exhale of ‘cold breath’. | cinema 4d | pf track | turbulence fd | after effects https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592269685772-NODB94HTJDP7WIWTGTNM/BodyFluids_04_cam02.gif WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587964718792-L4OSMEDA5NTK0VKJLQQX/cloaker_group_06_0036+%2800000%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587964705254-JT41XQGK3IPECWPBJTMT/cloaker_group_03_0036+%2800000%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587964714261-FY6Q1BXPFWJW3QF0N5DV/cloaker_group_04_0036+%2800000%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587964713249-S2KHRGSMOHE2KD3J5UX2/cloaker_group_05_0036+%2800000%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587964725296-05BW4G8OLCFIML3NAS4L/cloaker_group_07_0036+%2800000%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587965017960-3DHCTXG6Y1IFI4NHOD75/333_NA_Tour_Intro_SH220_v001.gif WORK - animation & simulations. turbulence fd proves itself time and time again to be able to provide interesting and detailed simulations quickly and efficiently. for many of the shots i used vertex painted maps to be able to art direct how and where our flames moved. paired with octane render, rendered frames stayed under thirty seconds per frame. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587966180836-GWDDQDSUHWDHNMUBQFW5/333_NA_Tour_Main_Intro_Final_ProResHQ_v010_3.gif WORK - DESIGN & animation. with the animatic locked in, many scenes were ready to go for animation and simulations since i had designed them in 3d. with time saved we were able to focus on creating an impactful edit. with cinema 4d, turbulence fd and octane many of the shots were able to be animated, sim’ed and composited quickly, sometimes able to work on three to four shots a day and with a deadline of ten days, every second mattered. | cinema 4d | octane | turbulence fd | after effects https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585676637238-Q24Y7GGILQRXXU5T4GPW/IATN_EndCard_03.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585676641912-7I9YS81TT9Y8A8UIZR2R/IATN_EndCard_04.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585676641773-A3LHBG6SP9JCH0ESX0IE/IATN_EndCard_06.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585676648720-7VVUO6DLGT2VSHQXLEZM/IATN_EndCard_07A.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585676649045-HTVG2J9L7XC7E0ZW0WUA/IATN_EndCard_07B.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585676656261-PFSZK35M1QR56MDIFGVG/IATN_EndCard_07C.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585676664600-AA7RC0ZTLIL8N38M79DV/IATN_WindowFrame_03.jpg WORK 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effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585688000742-O71CEFDG8M8F08U15EGP/HUAWEI_AI_Cube_Model_v003.jpg WORK - design & look development. data driven design is very simple to build using x-particles. using a few simple techniques i was able to use one system to create multiple looks and effects. for the disintegration effect - an image was used as a base for the particles emission, those emitted points were then instanced to a cube to give a more digitized effect. cinema 4d | octane | photoshop | after effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585688217889-GRKWW2DRMKO1AHQIICZQ/HUAWEI_Antennae_Frame01_alt.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585688245390-XR8CPJNTKAEEEFX2MKCE/HUAWEI_Antennae_Frame03_alt.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1585688270713-2DSZWFAMESNVLE4DWGJI/HUAWEI_Antennae_Frame04_alt.png WORK 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own challenges, especially on a such a reflective surface. using different compositing techniques and nuke tricks the final frames looked nothing short of amazing. nuke | after effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587937689304-6Z9PB7G20OXTB1F1SJTM/FLIGHT_003.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587937692668-WCSDZM5WZL3J2IMVV1BV/FLIGHT_001.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587937693122-0CLN7DN8C0DRDEFRROZS/FLIGHT_002.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587940551618-H3SWVSHD1UORKWC55PLU/Flight+2020-04-26+153200.jpg WORK - design & look development. using cinema 4d to create a base for the particles effect was simple. a quick cloner setup and an emission of particles was then exported as a plate to after effects - there I was able to use a few custom plugin setups to create the wispy electric feel of the energy bursts. cinema 4d | after effects | photoshop | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587942201914-6I8UCRCUYP8KZI2SI2DH/Little_Kaiju+Comp+Frames+%2801291%29.jpg WORK - compositing. using after effects, i was able to take the renders from the cg team and composite our little kaiju for final render. lots of clean plates were painted and combined in order to get little kaiju to look and feel fully integrated into the live action plate in every shot that was assigned. maya | after effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587942241849-2YF45IFQWZHELIXEVQWC/Little_Kaiju+Comp+Frames+%2800696%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587942240792-0MP5L5EN6ZDLCP4LBUV1/Little_Kaiju+Comp+Frames+%2800920%29.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1587942240994-B6BLIAWXFBZIJ7YY81WI/Little_Kaiju+Comp+Frames+%2800735%29.jpg WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588132205067-ZQCP5UC6EFTYC53MQK3T/ES8_RND_Activation_sc05_still04.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588136064970-EE2XAMX3NYQ0TBIN6LC9/ES8_LookDev_Rigged_sc01_Turntable.gif WORK - rigging & animation. rigging the cars suspension and setting it up to turn and stop on a dime was made possible using a great tool called drive - saving hours of time and able to have a fully rigged and drivable asset for all our shots. x-particles also played a crucial role in creating many of the fui assets throughout the spot. from the motion captured assets to the vehicles trail effects. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588137402953-NSM6H6AYRHXE1VXV813X/ES8_RIG_Prelim_v01_output02.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1588137570589-A4B6BXWTW7X44RMOF5SB/ES8_RIG_Prelim_v01_output01.gif WORK 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trail techniques that eventually led to many variations for the client to choose from. once client was happy with a version, moving into final animation in after effects let me layer up multiple particle simulations and add some slick glows and optical flares. | cinema 4d | x-particles | after effects https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1589666753661-Y99PWJF0AP4WDZ9RUSFN/SYFY_MAGICIANS_RF_Sim_v001.gif WORK - design & look development. using cinema 4d and realflow, the ability to run a simulation and port it over to c4d was done in a few clicks and minimal effort. once satisfied with a cached sim gears were shifted to lighting and building materials using octane render. | cinema 4d | realflow | octane | after effects https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1589676549613-OMMKABUN0UFY260GVDXK/SYFY_MAGICIANS_RF_Sim_v007.0140.png WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592285208764-CH2MI44QR9UA4DASGTVN/PUMA_CROP_01.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592285205928-TNAHI6FWWAOUSGZM7NAJ/PUMA_WEBSITE_STILL.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592285208051-X4EK9N954UZLRQFLCJC8/PUMA_CROP_02.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1592285490619-BN78E7W4DDWM4OKZMSOO/PUMA_WEBSITE_STILL.jpg WORK - simulations & look development. once blocking was finalized, the puma skull was converted to a vdb in order to allow collisions with fluids. a custom fluid tool was built in order to have full control of how the fluid reacted and interacted with the puma skill vdb. procedural materials were built using redshift and rendered with a simple three point lighting setup. | houdini fx | cinema 4d | redshift | after effects 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1646002363206-G1V3XYD2SSHW5891LQVG/COYOTES_AI_Main_Edit_LOCKED_009_ProRes422HQ+%281-00-54-05%29.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/63167b64-41ec-4a5e-aea0-8850869b8c81/IMG_0725+%280-00-00-00%29.png WORK - editing & direction. working with the team at sneaky big studios in glendale arizona, we were able to build a massive led wall set to project many graphical elements i had created to convey a violent energy. we not only built one main set but also built multiple smaller sets for different lighting setups. one by one we had each team member come out and shoot various poses for camera. shooting 4k on the sony venice gave us lots of depth and color, as well as being a perfect tool for our low light shoot. sony venice | davinci resolve studio | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/2b82b1eb-d06b-4b80-854e-9c45ce6f7b13/COY_Coyote_Edit_6.gif WORK - design & animation. by digging into the animalistic energy of the sequence i leaned heavily into black and red for the visual color of the entire piece with bits of white to bring contrasting elements for the edit. all cg elements were built in cinema 4d using scans and custom textures. | cinema 4d | redshift | after effects | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1646006013413-2MU5UK2N1Q62VVFQX5JX/IMG_0707+%280-00-01-57%29.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1646006015136-GF8XET4FAJ4C5N72YW8E/IMG_0707+%280-00-04-40%29.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1646006013602-7OHJCPZD3QS240PI0GDP/IMG_0707+%280-00-08-24%29.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710223477480-XH8WC886DTEBS5P0840M/Screenshot+2024-03-11+225657.png WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1645512604863-84A9DIRBWRV3S7AVIJLH/Marvel+Studios+%27Eternals%27+-+End+Titles-high+%282%29.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1645512630284-NS45UNJPGC06HBOWH2A7/Marvel+Studios+%27Eternals%27+-+End+Titles-high+%283%29.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/9f50f848-0f55-4a04-89d4-02b895330080/Eternals_MainOnEnd_Master+%280-00-49-13%29.png WORK - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/389b9e49-7541-40d9-a760-65b7b84a24a0/Screenshot+2022-02-21+214005.jpg WORK - design & look development. under the guidance and direction of johnny likens and wesley ebelhar, i was tasked with designing and layout for seven individual scenes for marvel’s ‘eternals end credits sequence. all scenes were built from the ground up and textured using real world texture maps to help with the realism of each scene. texturing and lighting was done in cinema 4d and octane render with texturing in substance painter. cinema 4d | octane | quixel | substance | https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1645508793626-6T5LAQGC6U1E4Z5PG9N9/Screenshot+2022-02-21+213425.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1645508795045-360KMQIMKMQJSM8YNOR0/Screenshot+2022-02-21+213610.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1645508795123-HG5NNUXONTILUUR7TENS/Screenshot+2022-02-21+213739.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1645508795852-F2Z32PXJ1BPTO2LUF8PK/Screenshot+2022-02-21+214109.jpg WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/ce468a7a-12a4-4224-837b-a463909d70e3/Eternals_MainOnEnd_Master+%280-00-25-05%29.png WORK - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/ef71797f-a6a8-4ffe-83f3-a4381118c33d/Eternals_MainOnEnd_Master+%280-00-53-18%29.png WORK - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1ac5a0c4-c021-476a-b003-0f0fc89ceb13/Marvel+Studios+%27Eternals%27+-+End+Titles-high.gif WORK - cameras & animation. for camera work all scenes were meant to have a ‘hand-held’ look and feel to them. to achieve the specific look all cameras were hand animated with a subtle dolly-in and in-camera shake to give the feeling of a real world camera operator. lighting was also very important to give the whole piece a sense of natural lighting. taking advantage of octane and it’s volumetric environment nodes was tedious but eventually giving a perfect sense of haze and depth. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/3241d093-8c32-4121-bd92-7c30e2e0538d/fa1ea5168416257.654c6492f0ead.gif WORK - animation & compositing. the visual motif woven throughout the film of the boot stepping in various terrain serves to highlight the overall durability of the product, while providing the momentum of the film as we move through each product benefit vignette. our films culminate in a final 360 of the product in a time lapse to give one final look at the boot as it completes its day. https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710229422677-FH7UTJCHXP85EG0X7P11/0e7129168416257.654c67b3770a2.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710229436722-1CNDGP5QIZM1BKUB0JP9/1b6bb7168416257.654c6492f192a.gif WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710229448187-J9BA4UWZYN98QYPM335R/5b4eb4168416257.654c67b374c97.gif WORK 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710229140638-4D3NP4VGGUYXD7WZ01FQ/f4b087168416257.656d15ae82e7b.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710229142221-FRINZYIIN1M5XVUS7FEZ/0e8e7e168416257.656d15ae83b11.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/692e0a28-0a54-4615-befa-2401e15c50f4/36120d168416257.654c67b81789d.jpg WORK - photo scanning & Look Development. to capture the innovative spirit of the red wing brand while showcasing the product benefits of apex, future deluxe explored a creative approach to the films that married premium visuals of the product against the rugged materials of the environments it would be found in. followed by a series of hundreds of photos for two different boots it was possible. reality capture | cinema 4d | redshift | nuke 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https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/6db41670-029b-4152-bc2f-e2a8d7f5d05f/Screenshot+2024-01-08+191734.jpg WORK - design & look development. using it’s own visual legacy of futuristic military design, it became obvious what our main color palette was going to be. with that in mind work began designing an alternate hangar bay to the pelican’s ship signature design. after a few quick iterations a heroic design was chosen. cinema 4d | redshift |substance | photoshop https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710233167806-XB8K5AKYWUZDL5ICUWMJ/Screenshot+2024-01-08+155651.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710233168080-JI9J8N1XKDBT0S00JA21/Screenshot+2024-01-09+141302.png WORK https://images.squarespace-cdn.com/content/v1/5a72a04cd7bdce4907e55065/1710233170595-1BLKZTV4AS0A1CZCDZ1I/Screenshot+2024-01-09+143910.png WORK 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